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You are here: Home / Archives for coaching

Coaching

January 12, 2019 at 10:45 am by Claudia

My view from the stairs this morning:

I missed that guy. Truth is, we don’t like to be apart. I suppose that’s because we’ve had to be apart for long periods of time throughout our marriage due to the demands of our careers. And because we truly like being together.

Nevertheless, I was in Hartford for a little over 24 hours on Thursday and Friday, working on Darko’s latest production. I stayed in the same apartment I always stay in, sans any personal touches I would normally add. It felt comfortable and known, even without my decorations.

I saw the production on Thursday night and then worked with one of the actors on Friday. Actually, I worked with a few of them. I’d worked with two of them previously and it was great to see them again. The rest were new to me.

First of all, a note about the production – it’s a new play and it’s really, really good. There are more than a few surprises throughout the evening and the first preview audience was very responsive. The set is incredible. I really liked it. It has a powerful message.

That being said, Darko had me in to work on some specific issues and, as is often the case in this kind of one-time-only situation, I didn’t have much time to do it in. You know what I find interesting? Not to blow my own horn, but I’m at my best in this kind of pressure cooker. I always worry that I won’t say the right thing, that an actor who has never met me will not want to listen to advice from a stranger, or I’ll mess up the opportunity in some way.

But, as Don repeatedly reminds me, I’m really good at this. It’s as if a starting gun goes off and I’m firing on all cylinders. I have to be kind and charming but firm. I have to be efficient and clear and help the actor feel empowered by the information I am passing on. My intention is to be of service and, hopefully, when I leave, the actor will feel better for the encounter. I had an hour an a half in which to work with one actor in particular and also to work on a few specific moments involving other actors that needed clarity.

And then I was done.

I get a high from it – that feeling you get when you know you’re doing your best work and you realize that this is what you do well. This is where you feel you just might touch excellence, if only for a second or two. Don gets it when he does a great audition, when he knows that for a few minutes in a stark audition room, he has the audience in the palm of his hand. After all, it’s what we’ve been doing for decades. We’re able to distill our knowledge and skill into an audition or a coaching session and emerge knowing we were on top of our game.

It doesn’t always work that way. There are hits and misses, but most of the time, it does. And it is a great feeling. It’s easy to forget just how good we are at what we do when we’re not working professionally, when we’re going through our days doing other things.

Yesterday reminded me that I am really good  at what I do. I would normally be uncomfortable at sharing this because I’m basically modest, but I’m still on a bit of a high from it, so there you go.

Back in our BU days, Rick and I used to imagine me being an Emergency Dialect and Speech Coach, dashing down the road in my little foreign car to a theater, giving intense notes, then hopping into the seat of my convertible, once again on the road to another job. We’d laugh and laugh. (We had a lot of these silly scenarios in our heads. Still do.) But that’s sort of what the work I did on Friday was.

It was a good day. And I got of rehearsal early enough to avoid the Friday rush hour traffic! A straight shot down the Interstate from Connecticut to New York.

All good.

Except for the fact that downtown Hartford is like a wind tunnel on the best of days and we were in the midst of a wind event and it was cold and I thought my face would freeze off.  Other than that, it was lovely.

Happy Saturday.

 

Filed Under: coaching, Hartford 29 Comments

Professional Challenges

January 9, 2019 at 11:01 am by Claudia

The wind woke me up during the night and it continues this morning. We’ve had at least three gray days in a row, lots of rain (which we do not need at this point – it seems the ground is always saturated) and fronts moving in and out.

January and February are the hardest for me. March is better because I know “green” will soon be on the horizon. But now? A stark and barren horizon, the excitement of the holidays gone…it gets tougher the older I get.

I’m sitting at my desk at the moment. Don needed to have something printed out, so I came up here to my trusty travel printer, printed it, and stayed to write my post. He has an audition today.

I had another professional problem crop up last night. One of the shows I’ve been working on – I’m currently doing a bit of work on three shows – threw a spanner in the works. It’s a smallish budget dialect show that’s going to start previewing at the end of this week. I’ve been in to work with each of the actors one-on-one and the next thing to do would have been to go to a run-through or preview performance to give the actors some feedback on their dialects. If the show was a bigger budget show, I would have gone to a couple of run-throughs as well as a couple of preview performances. Anyway, I get the daily rehearsal calls via email and there were four, count ’em, four  run-throughs last week and I wasn’t called in for any of them. Then I got an email asking me if I wanted to attend a tech rehearsal or a preview and I responded with a yes, suggesting an early preview performance. I heard nothing. So, I contacted them again with the intention of firming up the date so I could also schedule work on the other shows. The response from the stage manager (who was only the messenger) was that they had been informed that the budget for the dialect coach had been used up and therefore they couldn’t use me. Keep in mind, I’ve only been there three times.

I was not happy. And I told them so. No coach would ever not see a run-through or an early performance. I had not been informed that there was a limit to my work, though I knew it would probably be 4 or 5 days of work. I had promised the actors that I would be back. My response to the powers-that-be was to the point: my reputation depends on the quality of my work. I don’t abandon the actors. Thinking that the actors would think I didn’t care, that I simply stopped coming, troubled me. So I asked that they tell the actors in no uncertain terms that none of this was me, that all of it was due to budget. And they are going to do that. The director, actors, and stage management are lovely people, thoroughly professional – this is not on them.

It took me a long time to get here, but I stopped being a people-pleaser several years ago and took ownership of my professional work and career. I don’t have an agent protecting me like Don does. I don’t have a manager. It’s me and only me. So I demand my fee and if they can’t pay it, I decline the work. And I won’t tolerate crap like what happened last night. I was angry, but I was also very calm. I wasted no time in responding and I cc’d my response to two other people so that the facts would be clear.

Voice coaches (except for my Shakespeare work with Darko) are bottom of the budget in most theaters. They have lots of money for sets and costumes and music and everything else. Yet, they choose to do a dialect show and only budget a small amount – if anything – for a coach. I’m over it. And luckily, I’m at the age where I’m able to turn things down if necessary. It’s a lot harder to do when you’re dependent on freelance jobs to cobble together an income.

But for a time recently, I was working on Broadway and off-Broadway at the same time. That was sort of wonderful.

I know I mentioned this before, but Darko’s last year as Artistic Director of Hartford Stage is this year. He’ll be done in June. I will no longer have work there and, though I won’t miss being away from home for five weeks, I will miss the enormous pleasure and honor of working with Darko and the rather nice fee I got for that work. No longer having that to count on makes a difference in our income here. But Darko was there for seven years and that’s a long time for that kind of intense commitment. He deserves to move on and I’m truly happy for him. He has been a loyal friend and colleague.

So things are definitely changing as to my work and income.

And if you’re thinking that they’ll still use me, they won’t. New Artistic Directors bring in their own people. That’s the way it is and the way it should be. Hartford Stage has been dealing with budget cuts as well (like every regional theater) so paying me what they did for Shakespeare work is no longer happening. I wasn’t called in for this season’s Shakespeare. They actually had to do Shakespeare without a voice and text coach. (Darko wasn’t the director, by the way.)

I’m actually fine about this transition. I’m just filling you in on the changes ahead.

This has ended up being longer than I had planned!

Anyway, I am going to Hartford on Thursday and Friday to see the show that Darko is currently directing and to do a little work with one of the actors. It may well be my swan song!

Okay. Have to go.

Happy Wednesday.

Filed Under: coaching, theater 26 Comments

Small World

December 15, 2018 at 11:05 am by Claudia

Slow going this morning. I slept in. Glory Hallelujah!

The past two days have been rather busy with commuting back and forth to the city. The sheer length of the round trip commute tends to tire me out. I had very good coaching sessions yesterday with some of the actors. I still have to have sessions with 4 of them, but the stage manager tells me that will be next week, which is just fine with me. Such a lovely group of actors. Christa, the director, is also lovely (I’ve worked with her on three shows now). She’s also an actress. Anyway, I’ve found that nice, good-hearted directors tend to attract actors who have the same qualities.

And in “theater is a small world” news, in addition to the actors I mentioned the other day that I worked with 20 or more years ago, I had a feeling that I knew another one of the other actors somehow. When it came time to work with him yesterday, I immediately said “I think I know you from somewhere.” He responded “I’ve been thinking the same thing.” After establishing that he hadn’t worked in Hartford, I brought up the Old Globe. Sure enough, he’d done 3 shows there and the first one he mentioned was the one I had coached about 19 or 20 years ago. That’s one of the things I love about theater. I invariably run in to actors I’ve worked with before – in this case, more than 20 years later!

My favorite ornament. I found this little bluebird ornament a few years back. Isn’t it sweet?

Today is a day to tend to things around the house. Whenever I’m in the city for more than one day in a row, I feel like I’ve lost control of the house! Although, I did give Don some chores to do yesterday and, bless him, he did them all while I was gone and made a fabulous dinner as well. And he found a grocery store that had Mallomars in stock and bought me three boxes.

He’s a pretty neat guy, my husband.

Stella in the early morning light. I added a few more Christmas trees and I think she’s happy.

Happy Saturday.

 

Filed Under: Christmas, coaching, Don, Stella, vintage 26 Comments

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Welcome!

Welcome!

I live in a little cottage in the country with my husband. It's a sweet place, sheltered by old trees and surrounded by gardens. The inside is full of the things we love. I love to write, I love my camera, I love creating, I love gardening. My decorating style is eclectic; full of vintage and a bit of whimsy.

I've worked in the theater for more years than I can count. I'm currently a voice, speech, dialect and text coach freelancing on Broadway, off Broadway, and in regional theater.

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