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On the Road: Performing Arts in Brooklyn

February 20, 2015 at 9:09 am by Claudia

I haven’t checked in with Don yet this morning, but I hope all is well there after a night of wind chills that went down to 25 below zero. Crap. Same thing here, though not quite as low; about 15 below. Thank goodness I only have to walk about 100 feet from the theater to the apartment building!

This February has been one for the records. Literally. The temperatures in my neck of the woods have broken records that are over 25 years old; in NYC, over 50 years old. You have to hand it to New Yorkers, though. Nothing stops them. All of the warnings about wind chill did not keep a full house of audience members from watching the show last night and giving it a standing ovation.

It’s pretty powerful theater. I can’t take credit for any of it. It’s the incredible work of the playwright, the director, the designers and the wonderful actors. I just do a little tweaking.

2-20 TFANA

This is the theater at night. Theater for a New Audience moved to their new home a couple of years ago after years of using other spaces in Manhattan. It was a dream come true for the Artistic Director and the TFANA staff. Beautifully designed, the front of the building is glass and incredibly striking – which is why I wanted you to see a picture of it at night. The theater space can be converted to just about any configuration. It’s a wonderful, wonderful space for this particular theater company. And it’s an acoustic dream come true, as well.

Right across the street is the beautiful Brooklyn Academy of Music, or BAM.

By day:

2-19 BAM

By night:

2-20 BAM

Those white lights in the tall windows move in a constant circular motion.

This is an amazing three or four block mecca for the performing arts. BAM, TFANA, and two smaller BAM theaters – all within a hundred feet or so of each other.

Today? More coaching work, another preview tonight, then a four show weekend. I’m not sure, just yet, when I’m heading home. I expect it to be on Monday, unless something comes up. I’m only booked in the apartment through Tuesday and Tuesday night is the Press Opening, so I want my work to be finished by then.

Happy Friday.

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Filed Under: On The Road, theater 27 Comments

Obsessing

February 19, 2015 at 8:59 am by Claudia

Yesterday was a full day: coaching all afternoon, taking notes on the performance at night. I can’t complain – I’m working and I have a nice apartment to stay in.

2-19 apt

I’ll only show this view, as this is someone’s home and I don’t feel comfortable showing anything that would be too personal. That table is the dropping off point for all of my stuff; books, hat and gloves, glasses, theater ID, water bottle, sunglasses. The sunlight pours in the windows. Not bad at all.

The other night at the theater I ran into one of the young actors I coached last summer in A Raisin in the Sun, as well as a former student from my Old Globe days. It was so nice to catch up with both of them. This play, The Octoroon, is selling well; every performance is packed and the audiences are loving it. The play is very, very powerful and I find I’ve fallen in love with it. It’s always tricky coming in late in a production, which is the position I’m in with this show, but the cast is very talented and welcoming. I’m doing what I can to clean things up vocally.

Do you ever obsess about a piece of music you hear? I do that frequently. If I don’t know the title, I’ll search high and low until I figure it out. Well, I’m a huge fan of 80’s era R & B – Earth, Wind & Fire, Teddy Pendergrass, Luther Vandross, James Ingram, Stevie Wonder, Jeffrey Osborne, Chaka  Khan, the young Whitney Houston…. I love the sound, the lush arrangements, everything. A lot of the music was produced in Philadelphia and that sound is very distinctive. I also lived in Philadelphia in the eighties, but that’s neither here nor there. Or is it?

There is music playing throughout intermission and the other night I heard a piece that I loved. It sounded like the great Deniece Williams – one of my favorite R & B singers, with the voice of an angel and a vocal range that would put Mariah Carey to shame, sung cleanly and honestly, without Ms. Carey’s need to perform vocal gymnastics. Last night, I heard it again, so I pulled out my iPhone and recorded it via Voice Memo. When I came back to the apartment, I stayed with my instinct that it was Deniece Williams and started to search for the song on iTunes.

Bingo. I hadn’t listened to more than 3 songs when I found it. It’s called Silly  and was recorded in the early eighties. I immediately downloaded it and now I have it playing on an endless loop on my earbuds. Love, love, love it. Love that time, those arrangements, the incredible voices, the romantic, lush quality to all of the songs.

So if you’re wondering what I’m doing, I can be found listening to Ms. Williams. If you’re unfamiliar with her work or think you’re unfamiliar with her work, think of Gonna Take a Miracle, Free, and her duets with Johnny Mathis, including Too Much, Too Little, Too Late. She also had a big hit in Let’s Hear it For the Boy.

I already have Gonna Take a Miracle  and Free on my playlist. Why do I have a feeling I might be adding even more?

The cupcakes, the cupcakes – I don’t remember the flavors, my friends. I am not one that likes to sample a lot of different flavors. I like a basic yellow or chocolate cupcake with the frosting being the thing. Let’s face it, that’s where the fun is. So the cupcakes I picked that day? Three were yellow and one was chocolate.

Okay. I just looked up the names: Yellow Daisy Cupcake and Classic Chocolate Cupcake. I have one more left. Will I have to get some more? You tell me.

Happy Thursday.

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Filed Under: music, New York City, On The Road, theater 47 Comments

Setting A Price: Claiming Our Worth

February 10, 2015 at 10:05 am by Claudia

2-10 lr

These photos have nothing to do with this post. Just the living room captured with my camera this morning.

I’m thinking on my feet here.

I had to do a bit of negotiating yesterday with the theater. At the end of the phone call, I brought up the daily fee for my services and I was quoted a very lowball number.

Ummm….no.

I tend to give theater companies a bit of a break because I know that budgets are tight. But this particular number was way too low. So I responded with a number that was twice what they were quoting (yet still less than I can get elsewhere) and added that I wouldn’t work for less. I was told they would get back to me. I went into the living room and told Don and he wholeheartedly agreed with me. Unlike Don, I don’t have a union representing me. It’s me, myself, and I.

Here’s the interesting thing about placing a price on your expertise: I think many of us tend to undervalue our skill set and don’t always feel comfortable in any sort of negotiating situation. I speak for myself when I say that, for years, I tended to undervalue my work. That doesn’t include those times when I accepted a low salary simply because I needed the experience and I was building my resumé. I did that deliberately because it was about beginning a career.

And it wasn’t an issue when I was teaching full-time and coaching on the side because the combination of both salaries was more than adequate. However, since I’ve been freelancing for the last 14 years, I’ve had to learn to be firm when it comes to quoting a price for my work. It hasn’t been easy. I tended to be self-effacing and insecure and that carried over sometimes into an almost apologetic price quote on my part or a willingness to accept less than I deserved. When you freelance, you are often faced with no work on the horizon, and any offer of work is all too easily grabbed like a life preserver. That can end up biting you in the tush if you’re not careful.

It took me a while, but I am now proud of where I draw the line. I’ve also come to the point where I can do it without any sort of emotional attachment. I think of it this way: I’ve been working in the theater for well over 30 years. I’ve been coaching for almost that long. I’m really good at what I do. If you want me to help you out, you have to be willing to pay.

And let’s be honest here, no job in the theater pays all that well. It’s all relative. You have to love working in that medium, you have to love working in the arts. Without that love, you’ll always be frustrated because you’re never going to earn big bucks.

The theater was doing what they have to do, trying to work within a budget. I absolutely understand that. In the end, they agreed to my figure and everyone is happy.

2-10 lr2

I see the same thing happening in the blogging world, which, let’s face it, is a bit like the Wild West. As more and more bloggers start to do sponsored posts and/or work with certain companies, there are lots of discussions about just what to charge. Because bloggers can be taken advantage of quite easily, with the assumption that they’ll work for free just for the opportunity to attach their blog name to a product. I have turned down many, many offers like that. Are you kidding? You want me to write a post for you, for free?

Blogging takes time and energy and lots of thought and planning and quality photos, so a good camera has to be invested in, and editing and editing again. If the blogger wants to grow a readership, then time is spent on that, as well. I could go on and on and, as you know, I’m not as invested in SEO and social media outreach – those things do take time and lots of it – though I do care about ad income. I will  say that bloggers need to be paid for those services mentioned above, just as I am paid for my coaching work. Since very few blogs are viewed by paid subscribers, the content is free. Imagine. The reading audience gets to read fresh content, see beautiful photos, learn new things, and all they have to do is click on the post. All of that is supplied free of charge.

Would a magazine allow that? Absolutely not, nor should they. Would I allow that when it comes to my area of expertise? No and no.

But blogs are free. And that’s really wonderful. That’s what we love about the Internet. However, we have to be aware, as readers of that lovely free content, that a blogger’s time is also to be valued and honored and compensated. So, though frowned upon not all that long ago, ads are now a matter of course. And though sometimes it seems that all we see is sponsored content, remember that bloggers are trying to wrestle with creating a living wage in the wild west of blogging. And they deserve that.

If I added up the amount of time I spend on writing posts for this blog and my book blog, the hours I put in on a daily basis – taking photos, writing posts, editing constantly, replying to comments, researching, corresponding with readers, and in the case of the book blog, buying and investing in books that I review and share with my readers – if I totaled that all up and then compared it to my ad income? I can’t even go there. Much too disheartening. Depressing, even. If I earned, on a daily basis, the same amount I can charge for my theatrical work? Goodness, I’d be thrilled. I’d be beyond thrilled. I could earn a living with this blog.

But I do this because I love it. Truly. I love blogging. And most bloggers blog because they love it, as well. It’s fascinating, watching blogging evolve, seeing how it has changed. Bloggers are coming to terms with the same issues that a freelancer, such as myself, has to deal with. What is my work worth? What is my time worth? What is all the time I spend editing photos worth? What about the gas I put in my car to travel someplace, take photos, write a post and share it with my readers? What about the photo editing software I’ve had to invest in? Or, in some cases, the cost of running a self-hosted blog? What is my name recognition worth?

I don’t have the answers, but I do know that my initial impulse in writing this post was to talk about negotiating fees and claiming my worth as a professional in the arts. And then it morphed into a realization that blogging now involves a similar claim of worth.

It’s got me thinking, that’s for sure.

Happy Tuesday.

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Filed Under: blogging, coaching, theater 46 Comments

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Welcome!

Welcome!

I live in a little cottage in the country with my husband. It's a sweet place, sheltered by old trees and surrounded by gardens. The inside is full of the things we love. I love to write, I love my camera, I love creating, I love gardening. My decorating style is eclectic; full of vintage and a bit of whimsy.

I've worked in the theater for more years than I can count. I'm currently a voice, speech, dialect and text coach freelancing on Broadway, off Broadway, and in regional theater.

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