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The List

September 10, 2014 at 9:45 am by Claudia

prep work 1

Act One? check. The back forty and part of the front lawn mowed? Check. And now on to Act Two.

By the way, I need to get my eyes examined. I think I’ve reached the stage where readers no longer do it. Between computer screens and reading and the prep work for the play, my eyes are having a bit of trouble making the necessary adjustments. I took a break in the middle of the Hamlet work yesterday just to rest my eyes. That break morphed into mowing the lawn.

It’s time for Interesting and/or Well-Known Actors/ Directors Don has Worked With. We sat down with a pad of paper and did our best to remember everybody. But of course, I’m sure we’ve forgotten some people. This list is in no particular order. I’ve added a little information here and there.

Harvey Korman – Harvey ‘discovered’ Don and became a big fan. He signed Don to be a part of the cast of his new variety series, The Harvey Korman Show (after the Carol Burnett show). He had a part written especially for Don. The show was eventually cancelled. Christine Lahti was also part of that cast. Korman was very important to Don and his career.

Jackie Mason – Don did a week on The Jackie Mason Show. Jackie loved to say, “Don Sparks, the most famous actor you’ve never heard of.”

Hans Conried – Right after Don’s first Equity show at the Old Globe, he was in a play called Norman, is that You? with the legendary Hans Conried.

Ray Walston – Broadway actor, star of My Favorite Martian – Don worked with him in a play in St. Louis.

Jesse White – in the original Broadway cast of Harvey (also the movie) and the famous Maytag repairman in commercials for years. Jesse was a funny, fast-talking comedian and Don really liked working with him. They did a play together.

Ralph Bellamy – in a week-long shoot for an episode of L.A. Law. Don loved working with him.

Robert Reed – Of The Brady Bunch fame. Don did a play with him. He was an extraordinarily nice man.

Josh Logan – Legendary director of South Pacific, Annie Get Your Gun, Mister Roberts, Picnic and Bus Stop, among other landmark stage productions and movies. He directed Don in at least two plays. Don got to travel with him and soak up all his wisdom and stories about the theater.

Jerry Van Dyke, Craig T. Nelson and Shelley Fabares – in an episode of Coach.

Andy Griffith – on an episode of Matlock. Don was thrilled to work with him. At the end of shooting, Don went up to Mr. Griffith and said, “It was a pleasure working with you, sir.” And Griffith responded in his wonderful drawl, “Well, it was pleasure working with you.”

Don Knotts – On Three’s Company. Loved working with him.

John Ritter – Don did two episodes of Three’s Company with him, playing two completely different characters. John Ritter was a kind, generous, and wildly funny actor. So generous, in fact, that he spent time making sure that Don got good camera coverage and close-ups. That’s how generous he was.

Jimmy Smits, Susan Dey, John Spencer and Harry Hamlin – during nine episodes of L.A. Law, where Don played District Attorney Russell Spitzer.

Renee Zellweger – in My Own Love Song, a movie where Don played a homeless man and sang a Bob Dylan song. Zellweger and Don talked a lot about guitars and music. She was very nice.

Timothy Hutton – in the movie, Kinsey.

Mary Tyler Moore, George Segal and Tea Leoni – in an episode of The Naked Truth. Mary Tyler Moore was really a lot  of fun to work with.

John Goodman  – in Henry IV at the Old Globe. (I worked on that production, as well.)

Ed O’Neill, Katey Sagal – in an episode of Married With Children

Kelsey Grammer – in a play in Los Angeles, another play at The Old Globe and on Frasier. Great guy.

David Hyde Pierce and Shelley Long – on Frasier.

Brad Pitt – he was very young and just starting out – he and Don did an episode of Freddy’s Nightmares together. I’ve seen it and it’s very funny.

Will Smith – on an episode of Fresh Prince of Bel Air.

Scott Bakula – on an episode of Quantum Leap.

Ted Danson – on Cheers and on a film – great guy.

John Ratzenberger, Frances Sternhagen – on Cheers.

Dennis Franz – on Hill Street Blues. Another lovely man.

Blake Edwards – legendary director of The Pink Panther, Victor, Victoria, etc. On two films.

Bruce Willis and Kim Basinger – in Blind Date, a movie directed by Blake Edwards.

Richard Mulligan – on an episode of Empty Nest.

Tuesday Weld and Joan Hackett – in Reflections of Murder, the first movie Don was cast in.

Sam Waterston, Dianne Wiest – on Law and Order.

Jerry Orbach, Angie Harmon, Richard Belzer, Ice-T – on various Law and Orders.

Denis Leary – on three episodes of Rescue Me.

Peter Scolari and Betsy Palmer – in a production of The Foreigner.

Deborah Raffin – She and Don worked together in a play in Canada. Don said that she was a wonderful person. She died too young.

Robert Hays – Don and Bob have known each other since Don was 18. They roomed together while working at The Old Globe and are still close friends. Don also did an episode of Bob’s series, Starman. Forgot to mention that I worked with Bob at the Old Globe in a production of Mister Roberts. Wonderful guy.

Beah Richards – the legendary actress who played Sidney Poitier’s mother in Guess Who’s Coming to Dinner did an episode of The Practice with Don. She won an Emmy for that episode.

Jay North – the original Dennis the Menace – Don did a play with him.

Tab Hunter – Don did a play with him.

Elinor Donahue – of Father Knows Best and Andy Griffith fame – Don did an episode of Get A Life with her, along with Chris Elliott and Bob Elliott (half of the comedy team, Bob and Ray.) Lovely woman.

Okay. That’s all for now. If we think of any more names, and we will, I’ll let you know!

There is a book review up on Just Let Me Finish This Page. A wonderful read by Jussi Adler-Olsen. Stop by.

Happy Wednesday.

ClaudiaSignature140X93

 

Filed Under: coaching, Don, Shakespeare 34 Comments

Close-ups: On Weeds and Shakespeare

September 9, 2014 at 8:19 am by Claudia

Sometimes I like to take pictures of something I might usually ignore or find annoying and see what the lens reveals. Case in point: some weeds that are growing around the humongous weeping willow stump. It’s hard to keep that area nicely trimmed and I end up ignoring it. Like a little kid, I figure if I don’t ‘see’ it, no one else will, either.

A close-up reveals such beauty:

grasses3

grasses1

grasses2

If I had any available space on my walls – and I don’t – I’d frame these. They’d make a lovely triptych.

I caught up on my sleep last night, thank goodness. Don had his first day of rehearsal. First days are rather overwhelming. So many new faces; not only the members of the cast, but the designers and stage managers and staff members. I find first days exciting and exhausting. This particular play, Our Town, is starting off the 50th Anniversary season of the Long Wharf Theater and is being directed by the Artistic Director, Gordon Edelstein. Don has worked with him before in a production of The Front Page (gosh, that was one of my favorite productions, ever.) I’ve worked at the Long Wharf as well. It’s a really wonderful space.

Today’s agenda here at home: Work on Act 1 of Hamlet. That means gathering up all my reference books, which are stashed here and there in the cottage, sharpening my pencils (Blackwings, of course), and going at the text, word by word. I make sure I know what every word means. I check the scansion (the rhythm and beats) of each line of poetry. Shakespeare wrote in Iambic Pentameter and those beats give clear clues to the stress and meaning of a line. I look for any abnormalities in the scansion that might be a clue to the character’s emotions. It’s fascinating and painstaking work that I cannot rush. I usually try to tackle an act a day, but sometimes it takes longer than that. Depends on the play. After about 3 or 4 hours, I have to stop for the day.

I do all of this so that when rehearsals start, I am armed with all sorts of notes on the text and know how it should flow. Then, when I work one-on-one with the actors, I can be as of much assistance as possible in helping them find their way with the text and, together, we can work on speaking it clearly and easily, with a full and free voice.

When I work as a dialect coach, I’m usually billed as Voice and Dialect Coach, or just Dialect Coach. But when I work on Shakespeare, I am billed as Voice and Text Coach because the text work is absolutely essential. It’s like working a crossword puzzle. There are lots of clues to be found and analyzed that lead to clarity of intention.

Getting started is always hard for me. I put it off. Perhaps because I’m a natural procrastinator? But once I start, I always become immersed in the play.

Then, maybe a bit of lawn mowing….we’ll see.

Happy Tuesday.

ClaudiaSignature140X93

Filed Under: camera, Don, grass, Shakespeare 24 Comments

Mis-Adventures

September 8, 2014 at 7:35 am by Claudia

The drive to New Haven was going well until we got lost trying to find Don’s apartment building. Somehow I had written the number of the building incorrectly, so everything I had programmed into either Mapquest or our GPS was just enough off the mark to send us to downtown New Haven, rather than the Yale campus. There we were, Don getting more and more frustrated, me on the phone with the company manager, Scout ready to get out of the car, and the clock ticking away. It made for some frazzled tempers. We finally got here, unloaded the car, and since it was a busy city street and the car was double parked, I had to immediately take off for Hartford.

Four hours of rehearsal and then back on the road to New Haven. Don’s apartment is nice, very basic as is all company housing, but nice. I didn’t sleep that well; the bed is a full size which is very small for the two of us. (I’m now officially spoiled by our California King.) So I got up at 5:00 am.

Scout did pretty well. The floors in the apartment are sort of slippery for her, but the park is right across the street and she loved sniffing around there. She’s tired from the journey and all the walking and curbs and the stress of maneuvering around a new place. But I have to say she’s pretty game for an adventure.

We’re heading back home this morning and I’ll be back in Hartford for an afternoon on Thursday. I’m still trying to decide whether I will take Scout and drop her off at Don’s or whether I will leave her home and have my neighbor let her out a couple of times. This kind of thing is hard on her.

superzinnia

Heck, it’s hard on her mother and father!

It’s only 12 days until I start rehearsals for Hamlet, so I have to get back home and get to work on the script and a thousand other things that need to be done.

Tired Claudia is signing off for today.

New post on Just Let Me Finish This Page. I’m asking a question today: What Much-Hyped Books Left You Feeling Flat?

Happy Monday.

ClaudiaSignature140X93

Filed Under: Don, On The Road, Scout 21 Comments

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I live in a little cottage in the country with my husband. It's a sweet place, sheltered by old trees and surrounded by gardens. The inside is full of the things we love. I love to write, I love my camera, I love creating, I love gardening. My decorating style is eclectic; full of vintage and a bit of whimsy.

I've worked in the theater for more years than I can count. I'm currently a voice, speech, dialect and text coach freelancing on Broadway, off Broadway, and in regional theater.

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