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Sunday: Performance High Still in Effect

April 12, 2015 at 8:41 am by Claudia

Whoa, Nellie. I have to settle down after last night’s performance!

We’re both still on a high; Don even more than me because he was the one performing, of course.

It was simply great.

4-12 three d's 2

Don usually performs solo but occasionally he performs with Dan – who is the guy on the right. Dan plays Dobro, Mandolin, and Lap Steel Guitar (all of which he played last night) and ‘Vintage Suitcase with Brushes’ which he introduced last night. May I say it was the coolest thing ever?

Dewitt, on Upright Fretless Bass, was a new addition, and let me tell you, these three guys together were an amazing trio. They have to do this more often. They play together as if they have always done this sort of thing.

The 3-D’s? What do you think?

4-12 three d's

4-12 three d's 3

Do you like Don’s shirt? I have the same shirt. No…we will never  wear them at the same time.

As you know, I rarely get to hear Don perform live nowadays. Gigs around here usually involve a commute of at least 45 minutes one way – often longer – and when you add in the time to set up, play, and return home again, Don’s usually gone for several hours. I can’t leave my little girl for that long. So last night’s gig, which was just down the road from our home, gave me the opportunity to sit, listen, and be enormously proud of my husband – in public.

The addition of Dan and Dewitt was the icing on the cake.

I shot a video, but it ended up being too short because my iPhone ran out of storage space. Sorry!

Don is a talented man. I know that. But when I hear him live, with an audience reacting to his words and music, I am in awe.

And bursting with pride.

I wish I could have taken you all there with me.

4-12 three d's 4

He dedicated a song to me.

And he sang one about Scout.

How’s that for a great guy?

All that, and the Red Sox beat the Yankees.

Happy Sunday.

ClaudiaSignature140X93

Filed Under: Don, music 34 Comments

My Playlist (Part 4)

March 4, 2015 at 9:00 am by Claudia

Did you think I was done? Oh, silly you! I could go on and on, but I’ll stick to what’s on the playlist. More snow yesterday and overnight. Please, someone, tell it to stop.

3-4 books to read

I’m currently reading Laura Lippman’s newest book, which was just published and which I’ll review in a couple of weeks. And the third book in Cara Black’s series just arrived in my mailbox yesterday. I wrote about Cara Black on Monday on Just Let Me Finish This Page.

Lots of books, backed up and holding, which is my idea of perfection. I also have another book review coming up Friday on this blog for a book I loved. And today, I have a book review up at Just Let Me Finish This Page for All the Old Knives  by Olen Steinhauer – a must-read, in my opinion. You can read the review here.

Books, books, books. Now, let’s talk music. Shuffle, please.

My Playlist

•  Silly – Deniece Williams
I wrote about this song just – what was it? – last week. I kept hearing this song in the music that was playing during intermission  for An Octoroon. Invariably, I was in the middle of a conversation and I would be trying to maintain my end of the conversation while also trying to identify the song and singer. Finally, I grabbed my iPhone and recorded it. I was pretty sure it was Deniece Williams and after a few times I found the song and downloaded it to iTunes. Silly. I have since played this song about a thousand times. I can’t get enough of it. I love the melody, I love the words, I love the arrangement. It was written by Fritz Baskett, Clarence McDonald and Miss Williams herself. Produced in Philadelphia by Williams and legendary producer Thom Bell, it is now one of her most famous songs. I can see why. I made Don listen to it. He loves it. It was released in 1981.

Silly of me to think that I could ever have you for my guy
How I love you…How I want you
Silly of me to think that you could ever really want me too
How I love you…

You’re just a lover out to score
And I know that I should be looking for more
What could it be in you I see
What could it be…
Oh love, oh love, stop making a fool of me
Oh love, oh love, stop making a fool of me

Her voice is incredible. But I’ve said that before.

•  Out of this World/So in Love – Nancy LaMott
    Let me tell you about Nancy LaMott. She was a cabaret singer, a singer of the Great American Songbook. She had the voice of an angel. Truly. She died much too young. She is still held in great esteem by other singers. I can think of no other singer who moves me as deeply. Her voice was crystal clear. She conveyed great emotion. If you want to hear a great singer interpret American Popular Song, I urge you to listen to Nancy LaMott. Every week, Jonathan Schwartz (who I mentioned the other day) closes his show with one of her recordings. This one – a combination of So in Love from the musical Kiss Me Kate by Cole Porter and Out of this World (a personal favorite) written by Harold Arlen and Johnny Mercer, brings me to tears every time I hear it. The arrangement is exquisite. Her voice? The most exquisite. I can’t even think about it without crying.

You’re right out of a book
The fairy tale I read when I was so high
No armored knight out of a book
Could find a more enchanted Lorelei than I

After waiting so long for the right time
After reaching so long for a star,
All at once from the long and lonely night time
And despite time, here you are!

•  Hotel California – The Eagles
    Love, love this song. Another story song by the great Eagles. Written by Don Felder, Don Henley, and Glenn Frey. Don Henley sings the vocal. The guitar work alone is worth the listen. At the end, an extended guitar section played by Felder and Joe Walsh will knock your socks off. I’m not one who goes on and on about electric guitars, but this long riff takes my breath away. It’s simply great.

On a dark desert highway, cool wind in my hair
Warm smell of colitas rising up through the air
Up ahead in the distance I saw a shimmering light
My head grew heavy, and my sight grew dim
I had to stop for the night

•  Wait – Earth, Wind & Fire
    Another great one by a great, great group. Great horns in the background, great vocals. They just do this kind of thing better than anyone else. And it modulates. Can you tell that I like that?

It’s crazy if you think we’re just friends
Lovin’ when infatuation ends
The wait for you, baby, it now begins

•  I’m So Lonesome I Could Cry – B.J. Thomas
    I first discovered Thomas through one of my favorite songs as a teen – Hooked on a Feelin’. But this is even better. Thomas has the kind of voice that touches your heart, especially in this song, written by Hank Williams. Everyone’s been there. We’ve all felt it. This song breaks your heart, especially in the capable hands of Thomas.

Did you hear that lonesome whippoorwill
He sounds too blue to fly
The midnight train is whining low
And I’m so lonesome I could cry

I’ve never seen a night so long
When time goes crawling by
The moon just went behind the clouds
And I’m so lonesome I could cry

•   Grazing in the Grass – The Friends of Distinction
     First recorded by Hugh Masekela, this vocal cover by The Friends of Distinction shoots out of the starting gate and never stops. I don’t know how these guys can spit out ‘I can dig it’ as fast as they can. It’s a great arrangement of a fabulous song. You cannot help but move when you hear it. I’m moving right now as I listen to it. I’m dancing in my chair.

Everything here is so clear, you can see it
And everything here is so real, you can feel it
And it’s real, so real, so real, so real, so real, so real
Can you dig it?

•  Monday, Monday – The Mamas and the Papas
    Lord, I loved the Mamas and the Papas. Their voices blended together beautifully. My brother had their album (the one where they’re in the bathtub in the cover photo) and I ‘borrowed’ it and played it over and over again. I still have it. I love this song.

Monday, Monday so good to me
Monday morning, it was all I hoped it would be
Oh Monday morning, Monday morning couldn’t guarantee
That Monday evening, you would still be here with me.

•  I’ve Got You Under My Skin – Frank Sinatra
    Possibly my favorite Sinatra. This version of the Cole Porter song has Sinatra at his swingin’ best with an incredible arrangement by Nelson Riddle that builds and builds – horns blazing, strings singing. I’ve actually listened to this over and over to learn more about the arrangement itself. After hundreds of listens, I still learn more about it. The instrumental bridge with the horn solo just blasts it out of the park. And there’s a doubling of all the notes – buh-buh, buh-buh – that drives me crazy in the best possible way. A match made in heaven – Sinatra and Riddle. And then he winds it down to a quiet “And I like you – under my skin.”

I’ve tried so not to give in
I’ve said to myself: this affair never will go so well
But why should I try to resist when baby I know so well
I’ve got you under my skin

•  I’ll Take Romance – Matt Monro
    More from British crooner, Matt Monro. I’ll Take Romance, written by Ben Oakland and Oscar Hammerstein, is wonderfully waltz-like, a song of pure romance.

I’ll take romance
While my heart is young and eager to fly
I’ll give my heart a try
I’ll take romance

So my lover when you want me call me
In the hush of the evening
When you call me in the hush of the evening 
I’ll rush to my first real romance

Smooth as silk, Monro sings this beautifully.

•  The Theme from Picnic – Morris Stollof conducting the Columbia Pictures Orchestra
    The gorgeous theme from the movie Picnic. I’ve always loved it and this rendition is straight from the movie. All orchestra. All hauntingly beautiful.

•  Last Train Home – Pat Metheny
    I cannot tell you how many times I have played this since discovering it several years ago. I think it would probably be embarrassing. This, to me, is Metheny at his best. The haunting undertone of the train runs throughout this piece, with Metheny’s guitar taking us on the journey. There’s a real mournful quality to it, mournful but excruciatingly beautiful. I cannot get enough of it. If you want to hear Pat Metheny doing what he does like nobody else, listen to this. Think of sound of a train in the distance, add a gorgeous melody, and you’ve got Last Train Home. One of my favorite pieces – ever. I’m am head over heels in love with it.

•  Get Together – The Youngbloods
    Out of my youth: a plea for tolerance, a plea for peace. It is as powerful today as it was then. Performed by The Youngbloods, with a great arrangement and wonderful guitar work, it gets to me even now. Jesse Colin Young’s evocative voice is simply perfect.

Some may come and some may go
We shall surely pass
When the one who left us here
returns for us at last
We are but a moment’s sunlight
fading in the grass

Come on people now
Smile on your brother
Everybody get together
Try to love one another
Right now

•  Lush Life – Sammy Davis Jr.
    Lush Life is a jazz classic with words and music by the great Billy Strayhorn. It’s always been one of my favorites – the lyrics are beautiful. Davis does a beautiful job with it, from his album of the same name.

I’ll forget you I will
While yet you are still
Burning inside my brain
Romance is mush
And it stifles those who strive
Well I’ll live a lush life in some small dive
And I, I’ll be alright with the rest
All those who lives are lonely too.

•  Lisbon Antigua – Nelson Riddle
    I grew up hearing this on my mom’s radio and always liked it. Years and years later, when I was home visiting my mom and dad at their home in Northern Michigan, we were playing cards and this song came on the radio. I asked my Dad what the title was and he said “Lisbon Antigua.” There you have it. I made sure to get a recording of it and it’s now on my playlist. I love this piece, partly because of the melody, partly because it’s arranged by the great Nelson Riddle, and partly because it brings back a great memory with my parents. (It was originally written in Portuguese in 1937.) Riddle recorded his own arrangement of it.

•  Fly Me to the Moon – Joe Harnell and his Orchestra
    This song has been recorded by everybody, but this is an orchestral version by Joe Harnell. It’s hip, cool, and, as often is the case with me, I heard it on the radio and obsessed until I could find a copy. Harnell takes the theme and changes it constantly with different instruments taking the lead. It reminds me of theme and variations in classical music. Jazzy piano, plucked strings, soaring flutes, smooth violins – it’s got everything. And as always on this playlist, it makes me happy.

•  Blue Tango – Leroy Anderson/Arthur Fiedler & The Boston Pops 
   Another great composition by Leroy Anderson based on the sultry rhythms of the tango. There was no one better than Anderson at creating a mood, a feeling, within a short piece of music. Lord, he was talented. I could listen to his music endlessly. Again, another piece I heard on the radio when I was a kid that I carried with me into adulthood. Reminds me of my Mom.

More tomorrow, then a book review on Friday.

Happy Wednesday.

ClaudiaSignature140X93

Filed Under: books, life, music 23 Comments

Playlist (Part 3)

March 3, 2015 at 9:22 am by Claudia

3-3 scoutie sleeping

I have to throw in a picture – in this case, a photo of Dame Scoutie sleeping on her quilt. She’s doing much the same thing as I write this, only she’s in her ‘tunnel’ position. More snow and sleet and ice on the way later today. Will it never end? Don and I are trying to keep it together, but we want OUT!

More from the Playlist. I hope you’re having as much fun with this as I am. I also love that you’re sharing your favorites in the comments. Thank you for that. You remind me of songs that I love and just may want to add to my list. Let’s hit Shuffle.

My Playlist

•  Like a Lover – Sergio Mendes and Brazil ’66
    I have spent literally hours listening to this song over the years. I know I keep saying certain songs are sexy – and they are – but this one, this one is one of the sexiest. A gorgeous arrangement, with a bossa nova beat and gorgeous strings in the background, this song speaks love. Add in the fact that Sergio Mendes and Brazil ’66 were so good at this kind of thing and you’ve got a winner. I introduced this song to Don years ago and it’s one of his favorites now.

Like a lover, the velvet moon
Shares your pillow and watches while you sleep
Its light arrives on tiptoe
Gently taking you in its embrace
Oh, how I dream 
I might be like the velvet moon to you

Sigh.

•  Beyond the Sea – Bobby Darin
    Love, love, love this song – the American version of La Mer by Charles Trenet. Trenet, by the way, is someone you should also listen to – we have a recording of him singing his songs. Trenet’s original version in French had totally different lyrics. The American lyrics are by Jack Lawrence. Darin’s version is simply fabulous, with a big, brassy arrangement. I also have George Benson’s version around here, which is also great, but Darin’s is the clear winner.

Somewhere beyond the sea
Somewhere waitin’ for me
My lover stands on golden sands
And watches the ships that go sailin’

You’ll be snapping your fingers.

•  Expressway to Your Heart – The Soul Survivors
    Who knows why, but I love this oldie. The opening “boom, boom, boom-boom-buh-boom boom” draws you in and you can’t help but move to the beat. It came out in 1967, was written by the famed Kenny Gamble and Leon Huff.

I was wrong, baby, took too long
I got caught in the rush hour
A fellow started to shower
You with love and affection
Now you won’t look in my direction
On the expressway to your heart…

You’ll be dancing before you know it.

•  Don’t You Care – The Buckinghams
    I’ve always loved this song. I bought the album many moons ago just for this cut. Also from 1967, this was a big hit for the Buckinghams. Sung by lead singer, Dennis Tufano.

If you don’t love me
Why don’t you tell me
Instead of running around
With all the other guys in town

Can’t you see
You’re hurting me
Don’t you care, don’t you care

And my favorite part in the bridge:

mmmmm, my, my, my, my baby (with a great guitar riff in the background)

•  After the Love Has Gone – Earth, Wind & Fire
    Sigh. This is a great song, great harmonies, great arrangement. It has a slower tempo – it’s less of a dance song and more of a love song. My love for this splendid group is undying.

And it modulates to another key smack dab in the middle in the song. The ‘oh, oh, oh’ leads us there.

And oh, after the love has gone
How could you lead me on
and not let me stay around
Oh oh oh after the love has gone
what used to be right is wrong
Can love that’s lost be found

•  Free – Deniece Williams
Oh my lord. I love this song. Incidentally, it was produced by Maurice White of Earth, Wind & Fire. You’ll be astounded by what Williams’ voice is capable of – the notes that she hits at the end. Extraordinary. Great arrangement – quintessential Deniece Williams. I’ve been known to listen to this one over and over. I first heard another artist’s cover of this, but I tracked down the original. No surprise – it was Niecy.

Whispering in his ear
My magic potion for love
Telling him, I’m sincere
And there’s nothin’ too good for us.

But I want to be free, free, free
And I’ve just got to be me yeah, me me

•  You Better Love Me While You May – Jack Jones
    I heard this cut on the CD I mentioned yesterday – Closer Than A Kiss: Crooner Classics. I’ve always liked Jack Jones. This song, written by Hugh Martin (who wrote Have Yourself a Merry Little Christmas) and Timothy Gray for the Broadway musical, High Spirits (the musical version of Blithe Spirit) has been recorded by everyone from Ella Fitzgerald to Mel Tormé. In this version, Jones is accompanied by a small group of musicians; piano, bass viol, and drums. I can sing Jones singing this in a sophisticated nightclub. This one also modulates to a new key in the middle. Love that kind of thing.

You’d better love me while you may
Tomorrow I may fly away
I want your gentle touch
Your continental touch
Your elemental touch
You want me too
Oh, I know that you do.

•  Peg – Steely Dan
    We’re Steely Dan lovers in this household. In fact, one of our early conversations while courting was about how much we loved Aja, their brilliant album. Peg, infectious, fun and jazzy, is the kind of song that makes me want to dance and sing along with it.

I’ve seen your picture
Your name in lights above it
This is your big debut
It’s like a dream come true
So, won’t you smile for the camera
I know they’re gonna love it, Peg.

•  Charade – Andy Williams
To my mind, Henry Mancini was one of the greatest composers of music for film. When I watch the Oscars nowadays, most, not all, songs that are nominated for Best Song are laughable. Really? Take me back to Mancini, please. This song, from the movie Charade, is simply beautiful. The arrangement, with Andy Williams singing the vocal, has a somewhat French sound, which is fitting since the movie takes place in Paris. It’s one of my favorite movies, by the way, directed by Stanley Donen and starring the incomparable Audrey Hepburn and Cary Grant. Elegant, stylish, sophisticated.

When we played our charade
we were like children posing
Playing at games, acting out names
Guessing the parts we played

•  Goin’ Out of My Head – Little Anthony & The Imperials
    One of the best pop songs ever. It was recorded in 1964 and since then it has been covered by many, many artists. This version – the original – is still the best. Little Anthony’s voice, filled with raw emotion, takes us right into the heart of the lyrics. A song about a love that is consuming, it touches a chord in anyone who has ever longed for a requited love. Backed by a full orchestra, a sumptuous arrangement, his rendition of this song is gut-wrenching.

Well, I think I’m goin’ out of my head
Yes, I think I’m goin’ out of my head
Over you, over you
I want you to want me, I need you so badly
I can’t think of anything but you.

•  Teach Me Tonight – Al Jarreau
     A great standard, Teach Me Tonight as covered by Al Jarreau is simply wonderful. I love Al Jarreau – I have many of his CDs and I’ve seen him in concert. He can do things with his voice that are simply amazing. Here he takes us along for the ride as he sings of love until the final build that knocks it out of the park. Great sax solo. Written by Gene DePaul and the great Sammy Cahn.

One thing isn’t very clear, my love
Should the teacher stand so near, my love
Graduation’s almost here, my love
Teach me tonight.

•  Since I Fell for You – Lenny Welch
    This may be the best of all songs about the heartbreak of love. I’ve used the phrase gut-wrenching before in this series, but this one makes all the others look like small potatoes. Lenny Welch has the kind of voice that has an emotional intensity beyond compare. It’s raw, it’s beautiful, it’s almost too much. He is so gifted. No one – I repeat – no one  can sing this song like Lenny Welch. Recorded in 1963.

You made me leave my happy home
You took my love, and now you’ve gone,
Since I fell for you.

Love brings such misery and pain
I guess I’ll never be the same
Since I fell for you.

•  I’d Sing You – Don Sparks
This is my favorite Don Sparks song. He recorded it several years ago. He doesn’t even sing it anymore, but that doesn’t matter. It kills me, it’s so wonderful. My romantic husband writes beautifully. He’s a poet. In this song, he’s at his best. He arranged and orchestrated it with Garage Band on his Mac and it’s superb. He’ll be embarrassed by this, but I don’t care.

This isn’t what I meant to say
The awkward rhyme, the poor word play
It comes out wrong, it hides the song
I’d sing you

Every fear that holds my tongue
Leaves a passion yet unsung
This lovers moon 
Never hears the tune
I’d sing you

There should be a symphony in blue
A choir softly singing out for you
I lose the key
And the melody
I’d sing you

Be still my heart. This man is something else.

•  Rainy Night in Georgia – Brook Benton
Has there ever been another song that is so evocative – that so perfectly paints a picture of loneliness, the rain, of being without the one you love? Brook Benton had a gorgeous, deep, resonant voice and it is perfect fit for this song. Accompanied by a full orchestra, guitar and the lonely sound of a harmonica, this song never fails to take me to a different place.

A distant moanin’ of a train
Seems to play 
A sad refrain to the night.

A rainy night in Georgia
A rainy night in Georgia
It seems like it’s rainin’ all over the world
I feel like it’s rainin’ all over the world.

•  Ribbon in the Sky – Stevie Wonder
  Simply gorgeous. There’s no one like Stevie Wonder. His gifts are enormous. And he’s a fellow Detroiter, so how could I not love him? This plaintive, beautiful song moves slowly – no hurry – and takes us along on a lovely journey.

If allowed, may I touch your hand?
And if pleased, may I once again?
So that you too will understand

There’s a ribbon in the sky for our love.

•  Suspicion – Terry Stafford
This is a real oldie. I love it. I remember listening to it on a little radio in my bedroom when I was a young girl. It got to me even then. Stafford has a deep voice, the song is haunting, it brings back lovely memories. I had to include it on my playlist. Originally written for Elvis Presley, it was covered by Terry Stafford in 1964. Stafford has a vocal quality not unlike Presley’s. I also love the arrangement.

Ev’ry time you kiss me
I’m still not certain that you love me
Ev’ry time you hold me
I’m still not certain that you care.

Suspicion torments my heart
Suspicion keeps us apart
Suspicion why torture me?

I hope you’re enjoying the Playlist. I like the challenge of putting into words just why I like these selections, what it is about them that strikes a chord within me. Thanks for coming along for the ride.

Happy Tuesday.

ClaudiaSignature140X93

Filed Under: Don, life, music, Scout 36 Comments

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Welcome!

Welcome!

I live in a little cottage in the country with my husband. It's a sweet place, sheltered by old trees and surrounded by gardens. The inside is full of the things we love. I love to write, I love my camera, I love creating, I love gardening. My decorating style is eclectic; full of vintage and a bit of whimsy.

I've worked in the theater for more years than I can count. I'm currently a voice, speech, dialect and text coach freelancing on Broadway, off Broadway, and in regional theater.

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